The First Meeting at Porto Seguro, 1500
- Written
- written April 26 to May 1, 1500 (events of April 23–24, 1500)
- Place
- Porto Seguro
- Language
- Portuguese
- Kind of source
- letter
- Reading time
- 6 minutes
- Difficulty
- Moderate
- Intensity
- Low
First contact in the AmericasAmazon and OrinocoTrade and markets
One of the two young men brought aboard looked hard at the gold collar around the Portuguese captain's neck, pointed toward the land, and then pointed back at the collar. The Portuguese decided he meant there was gold in the country. They also decided, as the writer admits, that this was what they wanted to hear.
Pero Vaz de Caminha sailed from Lisbon for India on March 9, 1500, in the fleet of Pedro Álvares Cabral. He was to serve as a clerk at the trading post the Portuguese meant to set up at Calicut. Sailing far west of Africa, the fleet sighted land on April 22. It anchored off the coast of what is now southern Bahia, in Brazil, and stayed about ten days. Caminha wrote to King Manuel I as the ships prepared to leave, setting down the stay day by day. The letter went home on the fleet's supply ship, which left on May 2, while the rest sailed on for India. Caminha was killed at Calicut in December 1500.
The people the fleet met were Tupiniquim, a Tupi-speaking people of the coast. Caminha could not speak with them. Everything he says about their thoughts comes from gestures, and he knew nothing of their language, beliefs or history. What he could do was look closely, and he describes their bodies, lip plugs, hair and featherwork with care.
Caminha was an eyewitness writing about a week later, and he wrote for the king, who would judge the new land's worth. Watch how often the letter turns to gold, silver and trade goods, and how the gifts passed back and forth. Notice too what the two men refused to eat and drink, and what frightened them.
The letter lay unnoticed in the royal archive (the Torre do Tombo) until the late eighteenth century. It was first printed in 1817, when Manuel Aires de Casal included it in a geography of Brazil, from a copy in the navy archive at Rio de Janeiro. Casal's text leaves out a few words.
The edited translation, in simplified modern English. Bracketed words were added for clarity; [...] marks a cut. Tap a note number to read the note.
[...] From there we saw men walking along the beach, about seven or eight of them, as the small ships reported, since they had arrived first. We put out the boats and skiffs, and all the ships' captains came at once to the Captain-major's ship and talked there. The Captain sent Nicolaao Coelho1 ashore in the boat to look at that river. As soon as he started toward it, men came running along the beach, two at a time, then three. By the time the boat reached the river mouth, eighteen or twenty men were there. They were brownish and all naked, with nothing to cover their private parts.2 They carried bows and arrows in their hands, and they all came boldly toward the boat. Nicolaao Coelho signed to them to lay down their bows, and they laid them down. He could not talk with them or make himself understood to any purpose, because the sea was breaking on the shore. He only gave them a red cap, a linen hood he had on his head, and a black hat. One of them gave him a hat of long bird feathers with a small crown of red and brownish feathers, like a parrot's. Another gave him a large string of tiny white beads that look like aljaveira.3 I believe the Captain is sending these things to Your Highness.4 With that Coelho went back to the ships, because it was late, and the sea kept them from talking any more.
[...] Afonso Lopes, our pilot, was on one of the small ships by order of the Captain-major, because he was a quick and able man for such work. He got into the skiff at once to take soundings inside the harbor. In a canoe5 he took two of the men of the land, young and well built. One of them carried a bow and six or seven arrows. Many others were walking on the beach with their bows and arrows, but he got nothing from them.6 He brought the two at once, after dark, to the Captain,7 and there they were received with great pleasure and celebration.
In looks they are brownish, rather reddish, with good faces and good noses, well made. They go naked without any covering. They think nothing of covering or showing their private parts, and in this they are as innocent as they are in showing their faces. Both of them had their lower lips pierced. Through each lip was a white bone as long as a hand is wide and as thick as a cotton spindle, sharp at the point like an awl. They put these in from the inside of the lip, and the part between the lip and the teeth is shaped like a chess rook. They wear it fitted in so well that it causes them no pain and does not hinder them from talking, eating or drinking. Their hair is straight. They wear it cut short, but higher than a comb-cut and of a good length, and shaved to above the ears. One of them wore a kind of wig of yellow bird feathers. It ran behind his head from temple to temple, below the hollow at the nape.8 It was perhaps a forearm long,9 very thick and close, and covered the nape of his neck and his ears. It was stuck to his hair feather by feather with a soft paste like wax, though it was not wax. So the wig was very round, very thick and very even, and only a washing was needed to lift it off.10
When they came, the Captain was seated in a chair, with a carpet at his feet as a dais. He was well dressed, with a very large gold collar around his neck. Sancho de Toar, Simam de Miramda, Nicolaao Coelho, Ayres Corea,11 and the rest of us who sail with him in this ship were seated on the floor on that carpet. Torches were lit, and the two came in. They made no sign of courtesy and did not speak to the Captain or to anyone. But one of them fixed his eye on the Captain's collar. He began to point toward the land with his hand, and then toward the collar, as if he were saying there was gold in the land. He also saw a silver candlestick, and in the same way he pointed toward the land and then toward the candlestick, as if there were silver there too.
They were shown a gray parrot that the Captain has with him here. They took it in their hands at once and pointed toward the land, as if there were parrots there. They were shown a sheep, and they took no notice of it. They were shown a hen, and they were almost afraid of it and would not touch it. Afterward they took hold of it, as if startled. They were given bread to eat there, and boiled fish, sweets, fartes,12 honey and dried figs. They would eat almost none of it, and if they tasted anything, they spat it out at once. They were brought wine in a cup. They barely put their lips to it, did not like it at all, and wanted no more.
They were brought water in an albarada.13 They each took a mouthful but did not drink it. They only rinsed their mouths and spat it out. One of them saw some white rosary beads and signed that he wanted them. He was very pleased with them and put them around his neck. Then he took them off and wrapped them around his arm. He pointed toward the land, and then toward the beads and the Captain's collar, as if to say they would give gold for these things. We took it that way because that is what we wished. But if he meant that he would take the beads and the collar too, we did not want to understand, because we were not going to give it to him. Afterward he gave the beads back to the man who had given them. Then they stretched out on their backs on the carpet to sleep. They made no effort to cover their private parts, which were not circumcised.14 The Captain had a cushion put under each one's head, and the one with the wig took good care not to spoil it. A cloak was thrown over them. They let it be, lay down, and slept.
Notes
- Nicolau Coelho, captain of one of the ships of the fleet. back
- Caminha's word is vergonhas, "shames," a common Portuguese word for the private parts. back
- Caminha's word, aljaveira, is obscure. Michaëlis de Vasconcelos finds it less unlikely than the other readings, though without documentary proof, that it means the pearly white seeds of gromwell (aljofareira), used as beads. It may instead mean aljôfar, small uneven pearls. back
- King Manuel I of Portugal, to whom the letter is addressed. back
- A dugout canoe. Caminha uses almadia, a Portuguese word for a light boat made from a single piece of wood. back
- The phrase is unclear. Michaëlis de Vasconcelos takes it to mean that Lopes could not get hold of these men or their bows. It may instead mean that they did not use their bows against him. back
- The captain-major of the fleet, Pedro Álvares Cabral. back
- Caminha's word is solapa, and its sense here is uncertain. Michaëlis de Vasconcelos reads it as the hollow at the back of the head, a meaning she could not find in any dictionary. back
- Caminha writes couto, probably for coto. Michaëlis de Vasconcelos reads it as a cubit, about two hand spans, but Moraes's dictionary (1813) gives coto only as a stump or piece. The length is uncertain. back
- The phrase is unclear. Michaëlis de Vasconcelos reads it the other way, that the wig could be lifted without washing it loose. back
- Captains and officers of the fleet. Aires Correia was to be the fleet's chief trading agent in India; he was killed at Calicut with Caminha. back
- Fartes, Portuguese pastries: a sweet filling wrapped in a crust of dough. back
- A two-handled jug, as Casal explains in a note. back
- The manuscript adds here that their pubic hair was neatly shaved. Casal's printed text leaves this out. back
e daly ouvemos vista de homeens que amdavam pola praya obra de sete ou oito, segundo hos navios pequenos diseram por chegarem primeiro aly. Lamçamos hos batees, e esquifes fóra, e vieram logo todolos Capitaaos das naaos a esta naao do Capitam moor, e aly falaram: e ho Capitam mandou no bateel em terra Nicolaao Coelho pera veer aquele Rio: e tamto que ele começou pera la de hyr, acodiram pola praya homeens quando dous, quando tres; de maneira que quando ho bateel chegou aa boca do Rio, heram aly dezoito, ou vimte homeens pardos todos nuus sem nhuuma coussa, que lhes cobrise suas vergonhas.
and from there we had sight of men who were walking along the beach, some seven or eight, as the small ships said, because they arrived there first. We put the boats and skiffs out, and at once all the captains of the ships came to this ship of the Captain-major, and there they talked; and the Captain sent Nicolaao Coelho ashore in the boat to see that river; and as soon as he began to go there, men came running along the beach, now two, now three; so that when the boat reached the mouth of the river, there were there eighteen or twenty men, brownish, all naked, without anything to cover their shames.
From there we saw men walking along the beach, about seven or eight of them, as the small ships reported, since they had arrived first. We put out the boats and skiffs, and all the ships' captains came at once to the Captain-major's ship and talked there. The Captain sent Nicolaao Coelho ashore in the boat to look at that river. As soon as he started toward it, men came running along the beach, two at a time, then three. By the time the boat reached the river mouth, eighteen or twenty men were there. They were brownish and all naked, with nothing to cover their private parts.
- Nicolau Coelho, captain of one of the ships of the fleet.
- Caminha's word is vergonhas, "shames," a common Portuguese word for the private parts.
Traziam arcos nas maaos, e suas seetas: vynham todos rijos pera aho bateel; e Nicolaao Coelho lhes fes synaal que posesem hos arcos, e eles hos poserom aly: nom pode delos aveer fala nem emtemdimento que aproveitase polo mar quebrar na costa: soomente deo lhes huum barete vermelho, e huuma carapuça de linho que levava na cabeça, e huum sombreyro preto: e huum deles lhe deo huum sombreyro de penas daves compridas com huuma copezinha pequena de penas vermelhas, e pardas coma de papagayo: e outro lhe deo huum Ramal gramde de comtinhas bramcas, meudas, que querem parecer d'aljaveira: has quaaes peças creo que ho Capitam manda a V. A. E com isto se voltou aas naaos por seer tarde, e nom poder delles aver mais fala por aazo do mar.
They carried bows in their hands, and their arrows; they all came boldly toward the boat; and Nicolaao Coelho made them a sign that they should put down the bows, and they put them down there; he could not have speech nor understanding of them that was of use, because of the sea breaking on the coast; only he gave them a red cap, and a linen hood that he wore on his head, and a black hat; and one of them gave him a hat of long bird feathers with a little crown of red and brownish feathers like a parrot's; and another gave him a large string of little white beads, tiny, that seem to be of [aljaveira? seed pearl?]; which pieces I believe the Captain is sending to Your Highness. And with this he went back to the ships, because it was late and he could have no more speech with them on account of the sea.
They carried bows and arrows in their hands, and they all came boldly toward the boat. Nicolaao Coelho signed to them to lay down their bows, and they laid them down. He could not talk with them or make himself understood to any purpose, because the sea was breaking on the shore. He only gave them a red cap, a linen hood he had on his head, and a black hat. One of them gave him a hat of long bird feathers with a small crown of red and brownish feathers, like a parrot's. Another gave him a large string of tiny white beads that look like aljaveira. I believe the Captain is sending these things to Your Highness. With that Coelho went back to the ships, because it was late, and the sea kept them from talking any more.
- Caminha's word, aljaveira, is obscure. Michaëlis de Vasconcelos finds it less unlikely than the other readings, though without documentary proof, that it means the pearly white seeds of gromwell (aljofareira), used as beads. It may instead mean aljôfar, small uneven pearls.
- King Manuel I of Portugal, to whom the letter is addressed.
Left out of this excerpt.
E seendo Afonso Lopes, noso piloto em huum daqueles navios pequenos per mandado do Capitam moor, per seer homem vyvo e deestro pera iso, meteo se logo no esquife a somdar ho porto dentro; e tomou em huuma almaadia dous daqueles homeens da terra mancebos, e de boos corpos: e huum deles trazia huum arco, e seis ou sete seetas: e na praya amdavam muytos com seus arcos e seetas, e nom lhe aproveitaram. Troveos logo, ja denoute, aho Capitam, omde foram recebudos com muyto prazer e festa.
And Afonso Lopes, our pilot, being in one of those small ships by order of the Captain-major, for being a lively and skillful man for that, put himself at once in the skiff to sound the harbor inside; and he took in a canoe two of those men of the land, young and of good bodies; and one of them carried a bow and six or seven arrows; and on the beach many were going about with their bows and arrows, and they were of no use to him. He brought them at once, already by night, to the Captain, where they were received with much pleasure and celebration.
Afonso Lopes, our pilot, was on one of the small ships by order of the Captain-major, because he was a quick and able man for such work. He got into the skiff at once to take soundings inside the harbor. In a canoe he took two of the men of the land, young and well built. One of them carried a bow and six or seven arrows. Many others were walking on the beach with their bows and arrows, but he got nothing from them. He brought the two at once, after dark, to the Captain, and there they were received with great pleasure and celebration.
- A dugout canoe. Caminha uses almadia, a Portuguese word for a light boat made from a single piece of wood.
- The phrase is unclear. Michaëlis de Vasconcelos takes it to mean that Lopes could not get hold of these men or their bows. It may instead mean that they did not use their bows against him.
- The captain-major of the fleet, Pedro Álvares Cabral.
A feiçam deles hee seerem pardos, maneira de vermelhados, de boos rostros, e boos narizes, beem feytos. Amdam nuus sem nhuuma cobertura: nem estimam nhuuma cousa cobrir, nem mostrar suas vergonhas: e estam aa cerqua diso com tamta inocemcia como teem em mostrar ho rostro. Traziam ambos hos beiços debaixo furados, e metudos per eles senhos onos doso bramcos de compridam de huuma maao travesa, e de grosura de huum fuzo dalgodam, e agudo na ponta, coma furador. Metem nos pola parte de dentro do beiço, e ho que lhe fica antre ho beiço, e hos dentes, hee feyto coma roque denxadres: e em tal maneira ho trazem aly emcaxado, que lhes nom dá payxam, nem lhes torva a falar, nem comer, nem beber.
Their appearance is to be brownish, in the manner of reddish, of good faces and good noses, well made. They go naked without any covering; nor do they think anything of covering or showing their shames; and they are, as to that, with as much innocence as they have in showing the face. Both had the lower lips pierced, and put through them each a bone, white, of the length of a hand across, and of the thickness of a cotton spindle, and sharp at the point like an awl. They put them in from the inside of the lip, and the part that stays between the lip and the teeth is made like a chess rook; and in such a way they carry it fitted in there that it gives them no pain, nor hinders them from speaking, nor eating, nor drinking.
In looks they are brownish, rather reddish, with good faces and good noses, well made. They go naked without any covering. They think nothing of covering or showing their private parts, and in this they are as innocent as they are in showing their faces. Both of them had their lower lips pierced. Through each lip was a white bone as long as a hand is wide and as thick as a cotton spindle, sharp at the point like an awl. They put these in from the inside of the lip, and the part between the lip and the teeth is shaped like a chess rook. They wear it fitted in so well that it causes them no pain and does not hinder them from talking, eating or drinking.
Hos cabelos seus sam coredios; e amdavam trosquyados de trosquya alta mais que de sobre pemtem, de booa gramdura, e rapados ataa per s ma das orelhas: e huum deles trazia per bayxo da solapa de fonte a fonte pera detras huuma maneira de cabeleyra de penas dave amarela, que seria de compridam de huum couto, muy basta, e muy çarada, que lhe cobria ho toutiço, e has orelhas: ha quaal amdava pegada nos cabelos pena e pena com huuma comfeiçam bramda coma cera, e nom no heera; de maneyra que amdava ha cabeleyra muy redomda, e muy basta, e muy igual, que nom fazia mingoa mais lavajem pera ha levantar.
Their hair is straight; and they went shorn with a high shearing, more than over a comb, of good length, and shaved up to above the ears; and one of them wore, below the hollow [of the skull], from temple to temple toward the back, a kind of wig of yellow bird feathers, which would be the length of a [couto? forearm?], very thick and very close, which covered his nape and his ears; which was stuck to the hair feather by feather with a soft paste like wax, and it was not [wax]; so that the wig was very round, and very thick, and very even, and there lacked nothing but a washing to lift it off [or: it needed no washing to lift it].
Their hair is straight. They wear it cut short, but higher than a comb-cut and of a good length, and shaved to above the ears. One of them wore a kind of wig of yellow bird feathers. It ran behind his head from temple to temple, below the hollow at the nape. It was perhaps a forearm long, very thick and close, and covered the nape of his neck and his ears. It was stuck to his hair feather by feather with a soft paste like wax, though it was not wax. So the wig was very round, very thick and very even, and only a washing was needed to lift it off.
- Caminha's word is solapa, and its sense here is uncertain. Michaëlis de Vasconcelos reads it as the hollow at the back of the head, a meaning she could not find in any dictionary.
- Caminha writes couto, probably for coto. Michaëlis de Vasconcelos reads it as a cubit, about two hand spans, but Moraes's dictionary (1813) gives coto only as a stump or piece. The length is uncertain.
- The phrase is unclear. Michaëlis de Vasconcelos reads it the other way, that the wig could be lifted without washing it loose.
Ho Capitam, quando eles vieram, estava asentado em huuma cadeyra, e huuma alcatifa ahos pees por estrado, e beem vestido com huum colar douro muy gramde aho pescoço: e Sancho de Toar, e Simam de Miramda, e Nicolaao Coelho, e Ayres Corea, e nós outros que aquy na naao com ele himos asentados no chaao per esa alcatifa. Acemderam tochas, e emtraram, e nom fezeram nhuuma mençam de cortesia, nem de falar aho Capitam, nem a ninguem: pero huum deles pos ho olho no colar do Capitam, e começou dacenar com ha maao pera aa terra; e despois pera aho colar, coma que dezia que avia em terra ouro: e tambem vio huum castiçal de prata, e asy meesmo acenava pera aa terra, e emtam pera aho castiçal, coma que avia tambeem prata.
The Captain, when they came, was seated in a chair, with a carpet at his feet for a dais, and well dressed, with a very large collar of gold at his neck; and Sancho de Toar, and Simam de Miramda, and Nicolaao Coelho, and Ayres Corea, and we others who go here in the ship with him, seated on the floor on that carpet. Torches were lit, and they came in, and they made no sign of courtesy, nor of speaking to the Captain, nor to anyone; but one of them set his eye on the Captain's collar and began to point with his hand toward the land, and then toward the collar, as if he were saying that there was gold in the land; and he also saw a silver candlestick, and in the same way he pointed toward the land and then toward the candlestick, as if there were silver too.
When they came, the Captain was seated in a chair, with a carpet at his feet as a dais. He was well dressed, with a very large gold collar around his neck. Sancho de Toar, Simam de Miramda, Nicolaao Coelho, Ayres Corea, and the rest of us who sail with him in this ship were seated on the floor on that carpet. Torches were lit, and the two came in. They made no sign of courtesy and did not speak to the Captain or to anyone. But one of them fixed his eye on the Captain's collar. He began to point toward the land with his hand, and then toward the collar, as if he were saying there was gold in the land. He also saw a silver candlestick, and in the same way he pointed toward the land and then toward the candlestick, as if there were silver there too.
- Captains and officers of the fleet. Aires Correia was to be the fleet's chief trading agent in India; he was killed at Calicut with Caminha.
Mostraram lhes huum papagayo pardo, que aquy ho Capitam tras; tomaram no logo na maao, e acenaram pera aa terra, coma que hos avia hy: mostraram lhes huum carneyro, nom fezeram dele mençam: mostraram lhes huuma galinha, c asy aviam medo dela, e nom lhe queriam poeer ha maao: e depois ha tomaram coma espantados. Deram lhes aly de comer pam, e pescado cozido, confeytos, fartes, mel, e figos passados: nom queserem comer daquilo casy nada; e alguuma coussa se a provavam lançavam na logo fóra. Trouveram lhes vinho per huuma taça, poseram lhe asy ha boca tam malaves, e nom gostaram dele nada, nem ho queseram mais.
They showed them a gray parrot, which the Captain brings here; they took it at once in the hand, and pointed toward the land, as if there were [parrots] there. They showed them a sheep; they made no sign of it. They showed them a hen, and they were so afraid of it, and would not put a hand on it, and afterward they took it as if startled. They gave them there to eat bread, and boiled fish, sweets, fartes, honey, and dried figs; they would eat almost nothing of that; and if they tasted anything they at once threw it out. They brought them wine in a cup; they put [their] mouth to it [so unwillingly?], and did not like it at all, nor want more of it.
They were shown a gray parrot that the Captain has with him here. They took it in their hands at once and pointed toward the land, as if there were parrots there. They were shown a sheep, and they took no notice of it. They were shown a hen, and they were almost afraid of it and would not touch it. Afterward they took hold of it, as if startled. They were given bread to eat there, and boiled fish, sweets, fartes, honey and dried figs. They would eat almost none of it, and if they tasted anything, they spat it out at once. They were brought wine in a cup. They barely put their lips to it, did not like it at all, and wanted no more.
- Fartes, Portuguese pastries: a sweet filling wrapped in a crust of dough.
Trouveram lhes agoa per huuma albarada: tomaram dela senhos bocados, e nom beberam; soomente lavavam has bocas, e lançavam na fora. Vio huum deles huumas comtas de rosairo bramcas, acenou que lhas desem, e folgou muyto com elas, e lamçou has aho pescoço, e despois tirou has, e embrulhou has no braço, e acenava pera aa terra, e emtam pera aas comtas, e pera aho colar do Capitam, coma que dariam ouro per aquylo: isto tomavamonos asy polo desejarmos; mas se ele queria dezer que levaria has comtas, e mais ho colar, isto nom queriamonos emtemder; perque lho nom aviamos de dar: e despois tornou has comtas a quem lhas deo; e emtam estiraram se asy decostas na alcatifa a dormir, sem teer nhuuma maneyra de cobrirem suas vergonhas, has quaaes nom heeram fanadas. Ho Capitam lhes mandou poeer aas cabeças senhos coxys; e ho da cabeleyra procurava asas pola nom quebrar: e lamçaram lhes huum manto emcima, e eles cosentiram, e joveram, e dormiram.
They brought them water in an albarada; they took each a mouthful of it, and did not drink; they only rinsed their mouths and threw it out. One of them saw some white rosary beads; he signed that they should give them to him, and he was much pleased with them, and put them around his neck, and then took them off and wrapped them around his arm, and pointed toward the land, and then toward the beads and toward the Captain's collar, as if [saying] they would give gold for that. This we took so because we wished it; but if he meant to say that he would take the beads and the collar as well, this we did not want to understand, because we were not going to give it to him. And afterward he returned the beads to the one who had given them; and then they stretched out so, on their backs, on the carpet to sleep, without having any way of covering their shames, which were not circumcised. The Captain ordered a cushion put under each one's head; and the one with the wig took good care not to break it; and they threw a cloak over them, and they consented, and lay, and slept.
They were brought water in an albarada. They each took a mouthful but did not drink it. They only rinsed their mouths and spat it out. One of them saw some white rosary beads and signed that he wanted them. He was very pleased with them and put them around his neck. Then he took them off and wrapped them around his arm. He pointed toward the land, and then toward the beads and the Captain's collar, as if to say they would give gold for these things. We took it that way because that is what we wished. But if he meant that he would take the beads and the collar too, we did not want to understand, because we were not going to give it to him. Afterward he gave the beads back to the man who had given them. Then they stretched out on their backs on the carpet to sleep. They made no effort to cover their private parts, which were not circumcised. The Captain had a cushion put under each one's head, and the one with the wig took good care not to spoil it. A cloak was thrown over them. They let it be, lay down, and slept.
- A two-handled jug, as Casal explains in a note.
- The manuscript adds here that their pubic hair was neatly shaved. Casal's printed text leaves this out.
Page images of the original object or of the printed edition, from the libraries and archives that hold them. The pages shown are copied here where the holder marks them public domain; titles link to the holder's own viewer. Click a page to see it full size.
Casal, Corografia brazilica, vol. 1, Rio de Janeiro 1817
John Carter Brown Library, via Internet Archive. vol. 1, pp. 14–17. Public domain (published 1817).
The first printing of the letter, which our text follows.
Other translations of this passage. Links go to copies that are free to read online.
Portuguese Voyages, 1498–1663 (Everyman's Library)
Charles David Ley, 1947. English. In copyright; not free online.
The whole letter. Not consulted.
New translation from the Portuguese text of Caminha's letter as printed by Manuel Aires de Casal in Corografia brazilica, vol. 1 (Rio de Janeiro, 1817), pages 14–17; the letter runs from page 12 to page 34. About 15 percent of the letter. A short stretch on the storm of April 24 and the search for a harbor is left out.
Casal printed the letter from a copy, keeping its old spelling. Where his text differs from the manuscript in the Torre do Tombo archive in Lisbon, as transcribed in 1892, we follow the manuscript only to correct an obvious misprint, and a footnote gives anything Casal leaves out. Caminha's long sentences joined by "and" and colons are broken up. His "Your Highness" is kept. His words for the people's bodies, such as pardos (brownish) and vergonhas (shames, for private parts), are translated as he wrote them.
- Original
- Text as printed in the named edition or on the object, read from page images. Edition: Pero Vaz de Caminha, letter to King Manuel, printed in Manuel Aires de Casal, Corografia brazilica, ou relação historico-geografica do reino do Brazil, vol. 1 (Rio de Janeiro: Impressão Regia, 1817), introduction, pp. 12–34, from a copy in the Royal Navy archive at Rio de Janeiro, as Casal says on p. 12. Our passage is on pp. 14–17. Digital text: Internet Archive item corografiabrazil00casa (John Carter Brown Library copy), OCR text, extracted by code and read against the page images. The letter runs at the foot of each page under Casal's own narrative; only Caminha's text is copied, without Casal's notes, note numbers or his opening and closing quotation marks.
- Transliterated
- Not needed: the original is in the Latin alphabet
- Close English
- Close translation drafted by Claude (Anthropic), kept as a working draft
- Simplified English
- Drafted by Claude (Anthropic) from the original and checked unit by unit against the original in a separate review, then compared with earlier translations and tested for borrowed wording.
- Editor’s review
- Not yet.
- Specialist review
- Not yet. Readings a specialist should confirm are listed for later review.
- Rights
- Original: public domain. Edition: public domain.
Sources for the notes
- Casal, Manuel Aires de. Corografia brazilica, ou relação historico-geografica do reino do Brazil. Vol. 1. Rio de Janeiro: Impressão Regia, 1817. Introduction, pp. 12–34 (the letter); read pp. 12–17, our passage pp. 14–17. Internet Archive. https://archive.org/details/corografiabrazil00casa
- Ramos-Coelho, José, ed. Alguns documentos do Archivo Nacional da Torre do Tombo acerca das navegações e conquistas portuguezas. Lisbon: Imprensa Nacional, 1892. Caminha's letter from the manuscript (Gaveta 8, maço 2, n.º 8), pp. 108–121; our passage, pp. 108–110. Internet Archive. https://archive.org/details/hg-8607-a_0000_1-614_t24-C-R0150
- Cortesão, Jaime. A expedição de Pedro Álvares Cabral e o descobrimento do Brasil. Lisbon, 1922. The sources, pp. 41–42; Aires Correia, pp. 108–109; documents: Caminha's letter from p. 232, and the anonymous pilot's account of the attack at Calicut, p. 289. Internet Archive. https://archive.org/details/or26616
- Malheiro Dias, Carlos. “A semana de Vera Cruz.” In História da colonização portuguesa do Brasil, edited by Carlos Malheiro Dias, vol. 2, chap. 7. Porto: Litografia Nacional, 1923. Pp. 75–76 (Caminha and his letter), 122–124 (the first meeting with the Tupiniquim) and 147 (the supply ship's departure). Internet Archive. https://archive.org/details/colonizacao-portuguesa-do-brasil-v-2
- Michaëlis de Vasconcelos, Carolina. Notes to “Carta de Pedro Vaz de Caminha: versão em linguagem actual.” In História da colonização portuguesa do Brasil, vol. 2, 86–101. Porto: Litografia Nacional, 1923. Notes on pp. 88–89. Internet Archive. https://archive.org/details/colonizacao-portuguesa-do-brasil-v-2
- Moraes Silva, Antonio de. Diccionario da lingua portugueza. 2nd ed. 2 vols. Lisbon, 1813. Entries “Aljôfar,” “Almadía,” “Coto” (vol. 1); “Fartem,” “Solapa,” “Vergonha” (vol. 2). Internet Archive. https://archive.org/details/diccionariodalin01mora and https://archive.org/details/diccionariodalin02mora
- Cerdeira, Pedro. "Pêro Vaz de Caminha (c. 1450–1500)." Encyclopaedia of Portuguese Expansion. Lisbon: CHAM, Universidade Nova de Lisboa, 2009. https://eve.fcsh.unl.pt/index.php/en/node/5261