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The Rooms of the Tremont House

Draft: this translation has not yet been checked against the original by a separate review.

Written
1830, on the hotel opened in October 1829
Place
Boston
Language
English
Kind of source
description
Reading time
3 minutes
Difficulty
Moderate
Intensity
Low

Inns, hotels and restaurantsHomes, towns and building

Versions

The edited translation, in simplified modern English. Bracketed words were added for clarity; [...] marks a cut. Tap a note number to read the note.

A spacious and convenient hotel, in a central and healthy location, had been thought for many years before the building of Tremont House a most desirable addition to the public buildings of Boston. Since the destruction of the old Exchange Coffee House in 1818,1 no hotel had been built in this city on a scale as large as that building. None met the expectations and wants of the many visitors to the capital of New England. And the bad luck of those who had tried such ventures before was enough to keep any one person from taking on a work of so much labor, cost, and risk.

[...] Two parlors, made ready to receive visitors when they arrive and called receiving rooms, open onto the rotunda.2 So do the office, or counting room, of the house and the porter's room. Two halls lead from the rotunda to the north and south wings. A third passage leads to a piazza,3 which overlooks the courtyard.

The office is divided into two parts by a counter, on which stand two columns and two pilasters, or antae.4 The band of molding above these columns encloses a set of boxes. They run around the inner part of this room and hold the bells of all the rooms. The bells are shaped like clock bells and are struck by hammers. A label attached to each one shakes to show the number of the room where the bell is rung.5 This clever way of arranging these necessary and noisy burdens of large houses is the invention of Seth Fuller, who holds the patent for it. Its advantages over the common way of hanging bells are that it is compact and fairly quiet. How the device works can be seen clearly in Plate XXXI.6

The office connects by sliding doors with the public dining room. The main entrance to the dining room is by two pairs of folding doors, opening into the hall that leads from the rotunda.

The dining room is seventy-three feet long, thirty-one feet wide, and about fifteen feet high. It is lit by six windows on Beacon Street, and by two more that also serve as doors, opening on the piazza that surrounds the courtyard. Fourteen Ionic columns7 and four antae enclose the part of the room taken up by dining tables, a space of sixty feet by twenty.

[...] The dining room is warmed by two open fireplaces and by a hot-air furnace. The furnace is placed behind the kitchen fireplace and is heated by the fire used for cooking.

The proportions of this room, and the style of architecture in which it is finished, have been much admired. As the largest and most public room of the house, it was thought to deserve the richest decoration. Eating may not be a dignified or lofty use for a room. But there seems at least nothing improper in surrounding the diners with cheerful and tasteful things.

Next to the dining room, in the hall leading from the rotunda, is one of the main staircases. Next to this, at the northeast corner of the house, is a large and well-lit room, used as a reading room. It is supplied with the main magazines and newspapers of the United States, with many interesting foreign journals, and with a variety of maps, city plans, and so on. Visitors who are staying in the hotel may use this room for free. Anyone else may use it by paying a small yearly fee.

Notes

  1. A large Boston building with public rooms, finished in 1809. It burned to the ground in 1818 and was never rebuilt. back
  2. The round entrance hall at the top of the front steps, twenty feet across, with a domed ceiling and a stained-glass skylight. back
  3. In New England at this time, a covered porch or veranda along the side of a building. back
  4. Flat columns set against a wall, in the style of Greek temples. back
  5. A guest pulled the bell-pull in the room. A wire carried the pull down to the office and set the hammer striking that room's bell. back
  6. The last of the book's 31 plates, with drawings of the bell boxes. back
  7. Columns in one of the Greek styles, with scroll-shaped tops. back